Michele Pasin / Quotes

Open text (opera aperta)

In semiotic analysis, an open text is a text that allows multiple or mediated interpretation by the readers. In contrast, a closed text leads the reader to one intended interpretation.

The concept of the open text comes from Umberto Eco's collection of essays The Role of the Reader,[1] but it is also derivative of Roland Barthes's distinction between 'readerly' (lisible) and 'writerly' (scriptible) texts as set out in his 1968 essay, The Death of the Author.

Saved 18 April 2015 / en.wikipedia.org ↗

#text #essay #readers #distinction #semiotic-analysis

Limitations of note taking on ebooks

....I agree with you about the current crop of book simulators. They are rather stupid, and don’t let me have the kind of dialogic relationship with text that…

Academic History Writing And Its Disconnects By Tim Hitchcock | Digital Humanities Now #text #book #readers

Nanopublications require extracting discourse pragmatics

The shift to author intent means shifting our conceptualization of the text towards discourse: that is, a move from viewing the text as a collection of verbs…

Hypotheses, Evidence And Relationships: The Hyper Approach For Representing Scientific Knowledge Claims #text #discourse #readers #claims #authors

Reading the encyclopedia like a hunter

As pages and paragraphs offered clear organizational landmarks in a volume of text, we got used to positioning ourselves spatially within a discourse, to…

How Books Will Become Machines #discourse #text #readers

Quantitative vs qualitative approach in dh

To return to our opening hypothesis then, the essays in this collection raise the question of what the digital humanities actually is. We begin to see the…

Understanding Digital Humanities (david M. Berry) #digital-humanities #humanity #digital-tools #essay