Rather than being drawn into what may appear as partisan in-fighting, I posit the digital humanities as a diverse field of practices associated with computational techniques and reaching beyond print in its modes of enquiry, research, publication, and dissemination. In this sense, the digital humanities includes text encoding and analysis, digital editions of print works, historical research that re-creates classical architecture in virtual reality formats such as Rome Reborn and The Theater of Pompey, archival and geospatial sites, and since there is a vibrant conversation between scholarly and creative work in this field, electronic literature and digital art that draws on or remediates humanities traditions.