Sources / 3 quotes, saved February 2013
The Digital Humanities Situation | The Transducer
Digital humanities has a genealogy, not a definition
Let’s be honest—there is no definition of digital humanities, if by definition we mean a consistent set of theoretical concerns and research methods that might be aligned with a given discipline, whether one of the established fields or an emerging, transdisciplinary one. The category denotes no set of widely shared computational methods that contribute to the work of interpretation, no agreed upon norms or received genres for digital publication, no broad consensus on whether digital work, however defined, counts as genuine academic work. Instead of a definition, we have a genealogy, a network of family resemblances among provisional schools of thought, methodological interests, and preferred tools, a history of people who have chosen to call themselves digital humanists and who in the process of trying to define the term are creating that definition. How else to characterize the meaning of an expression that has nearly as many definitions as affiliates? It is a social category, not an ontological one.
Digital humanities as a gentrifying small town
To many, the digital humanities feels like a small town that has recently been rated as a great place to raise a family. It is now inundated by developers who want to build condos for newcomers who are competing for resources and who may not understand local customs. Identity crises emerge when tacit, unspoken understandings and modes of interaction are disrupted by external contact and demographic shifts. In the quest to defend old ways and invent new ones, in-groups are defined, prophets emerge, witchcraft accusations are made, and people generally lose what communal solidarity they once had. The digital humanities community has not gone this far, but one cannot help but notice the disparity between the Woodstock feeling of THATCamp events and what appears to be the Altamont of DH 2011.
Digital humanities as a curriculum
So, if the digital humanities is, neither in fact nor in principle, a discipline, then what is it? Surely, with its growing army of followers and plethora of concrete institutional manifestations, it must have some basis in a reality other than its own existence. In fact it does. The digital humanities, as both a broad collection of practices and an intense, on-going interpretive praxis generative of such practices, is best thought of as having two very concrete but equally elusive dimensions. One the one had, the digital humanities (conceived of in the plural) comprises something very much like a curriculum, an inter-related collection of subject domains and resources that, as a whole, contributes to both the construction of knowledge and the education of people. Although no one individual can master an entire curriculum, a curriculum nevertheless has a logic, a coherence, and even a center of gravity.